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by Peter Walsh “Architecture is to make us know and remember who we are.” —Sir Geoffrey Jellicoe (1989) Harvard University’s Shad Hall: Can a building predict the future? Twenty years ago, the completion of Shad Hall, on the Harvard Business School campus, created a stir. Even for Harvard, the place was shrouded in deep secrecy.…
Read MoreAs the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MorePut bluntly, Mathematics for Human Flourishing is quite possibly the most profound meditation on mathematics I have read.
Read MoreRussian poet Osip Mandelstam’s “ancient language” is rendered into real contemporary poetry in English that succeeds in speaking eloquently to the inner eye and ear.
Read MoreWe intend to stage work by all the living American poets we can lure into our sphere: starting right here in Cambridge.
Read MoreDancer/choreographer Maureen Fleming’s highly distinctive style of movement is unforgettable.
Read MoreNext season’s stale programming certainly derives from the BSO’s lack of a music director guiding and shaping the overall course of the season.
Read MoreIn tracing the tortuous path that established historians took in trying to get to the bottom of the war, Perry Anderson doesn’t acknowledge leftwing observers who knew perfectly well what was going on at the time.
Read MoreA major contribution to the recorded repertory, making clear just how effective Saint-Saëns’s The Yellow Princess could be on stage, its nowadays objectionable title repudiated by its varied and nuanced approach to the evocation of the exotic.
Read MoreThe new “Portrait” package contains five hours of music by Bizet that is mostly unknown to music lovers and music lovers. Plus one of his best operas, a one-act written just before “Carmen”: 1872’s “Djamileh,” which is set in a harem.
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Arts Feature: Best Movies (With Some Disappointments) of 2025