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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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On two recent releases, trumpeter Paolo Fresu shows us exactly what he has learned from Miles Davis, and how that has expanded rather than limited his music.
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Russian Doll’s script still crackles with dark, cynical hilarity, and New York is still the gritty, gorgeous backdrop, the city where, clearly, anything can happen.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreThe most unfairly maligned film of the year: Ridley Scott’s “The Counselor.” The most overrated movie of the year, which gave me a mammoth headache: “American Hustle.”
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Robert Venuti’s opposition to the Modernism’s rigid corporate style made healthy waves.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreThe overall prognosis for the Boston Symphony Orchestra is good. While there remains room for growth and improvement both artistically and financially, the Orchestra has the advantage of a solid musical reputation and a strong core of patrons who support its mission.
Read MoreBy Bill Marx Summer has never been a time for theaters taking chances and the sluggish economy only encourages the hot weather drift to safety. But there’s some funky activity around the margins as well as encouraging news about Shakespeare & Company’s finances. Also, the Gloucester Stage Company has forsaken last year’s geriatric lineup and…
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