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Fuse theater critics pick some of the outstanding productions of the year.
Read MoreBoston’s 15-year-old Guerilla Opera releases a recording of a fresh take on the old Grimm Brothers tale, to haunting, ritualistic music for four singers and four players.
Read MoreChick Corea’s “The Continents: Concerto for Jazz Quintet and Chamber Orchestra” is filled with tuneful melody, shows off some superb playing by the soloists, breaks new ground in a number of ways, and achieves nearly all of its ambitions.
Read MoreThe Boston Symphony Orchestra lacks a composer-in-residence. There are many local composers the orchestra might draw on were it to establish such a position, but few have the international reputation of someone like Thomas Adés.
Read Morefeels both cautionary and elegiac; it is obviously relevant in these times of extremism and the rise of small town tyrannies.
Read MoreOne of the most astonishing sets of my week in Montreal featured two Frenchmen, accordionist Vincent Peirani and soprano saxophonist Émile Parisien.
Read MoreIn these short films James Baldwin does not come off as a relaxed person, someone at ease with himself or quite comfortable in the world. You can feel the acute pain as he speaks.
Read MoreIn “The Flick,” Annie Baker creates youngish characters that my students at Boston University would call “relatable,” exploring how self-delusions, stereotypes, and fear keep them from connecting in a meaningful way.
Read MoreWhy, Rita Costanzi asks incredulously, do harpists, albeit occasionally, marry other harpists: “Does the word masochist mean anything to you?”
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Jazz Artist Appreciation: Sheila Jordan (1928-2025)
Each time I heard Sheila Jordan sing live, I remember being spellbound, embraced, dazzled, awestruck, and I know I’m not alone.
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