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As nicely played as the Mendelssohn and Tchaikovsky were, I left feeling that there was something distinctly anticlimactic about the Aviv Quartet’s programming choices. I would much rather have heard the Erwin Schulhoff close the evening –- or at least heard it sandwiched between the Romantic selections.
Read MoreMinimalism doesn’t make narrative or emotional demands. It shows you a surface, and if there’s anything below the surface, you draw your own conclusions.
Read More[updated] Arts Fuse critics select the best in music, theater, film, and dance for the weekend and beyond.
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There can be little doubt that the urgency of the opera’s message about equality is as relevant as ever.
Read MoreHow can you act sanely when your country is brazenly committing genocide? Many of us didn’t.
Read MoreIntellectual frameworks such as “the rise of Europe,” “the decline of the East,” or “the clash of civilizations,” tell us more about the laziness of the human mind than they do about history.
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At this year’s Sundance Film Festival, in the midst of the usual well-meaning social documentaries and “independent” celebrity tributes, some real cinematic ambition crept in.
Read MoreIn his book “Ferocious Reality,” Eric Ames offers an insightful, well organized, and readable study of Werner Herzog’s documentary work that explores the director’s earliest films as well as his most recent ones.
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One of the masterpieces of Russian drama is done justice in a English version that successfully captures much of the wit and fluency of the original.
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Roma is Alfonso Cuarón’s gorgeous, neorealist ode to his formative years growing up in ’70s Mexico City, and to the housekeeper he took for granted as she carried him through that tumultuous decade.
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