Search Results: 1971 project
“Sasquatch Sunset”‘s directors claim they were interested in respecting the universal connection between man and nature, albeit with plenty of humor.
Read MoreOur expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read More“Parade”‘s power does not lie in its mystery or its revelations of combat. The work, as artist Si Lewen lays it out, surveys the absurd pomp and horror of war.
Read MoreThis book is a fiery manifesto that charges that copyright law today is an outrageously unjust scheme that does nothing for 99 percent of authors, other creative people, and their fans, while it locks up a commodity that fills the coffers of large corporations.
Read MoreThis is my kind of music, a tight latin jazz outfit that embraces great horn charts and explosive percussion.
Read More“Amar Singh Chamkila” doesn’t hit the compelling heights of “Highway” and “Tanasha,” but the director Imtiaz Ali successfully infuses — within the limits of the musical biopic — a buoyant, rebellious spirit.
Read MoreOur expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreLogan Blackfeather is such a marvelous hero — and he is, in most senses of the word, heroic — that most readers will quickly connect with him and happily trail him through the significant stages of his education.
Read More‘More than cool’ was the defining ethos at this year’s Big Ears, a sprawling, sold-out festival that finds a dozen venues running concurrently over four days and nights.
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Music Commentary: A Mystery Solved on the 50th Anniversary of the Release of “Queen II”
It is well established that the lyrics to the song on “Queen II” that’s directly about the painting (called “The Fairy Feller’s Master-Stroke”) originate from a poem Richard Dadd wrote about his picture. What’s never been established though is exactly how Freddie Mercury became aware of this poem.
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