Search Results: "
After the misery, cynicism, and division of the past four years, Jimmy Carter: Rock & Roll President is a breath of fresh air.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreArts Fuse critics select the best in music, film, theater, and dance coming up this week.
Read More
However late the hour and however long the road ahead, the cause of standing for justice, knowledge, and freedom isn’t yet doomed. Along the way, let the arts comfort, inspire, instruct, and help lead. That’s what they’re here for.
Read MoreBoston Conservatory’s New Music Festival is inspiring a series of critical and speculative commentaries from Fuse Jazz Critic Steve Elman. Here is the second, which focuses on The Fringe and some of the qualities that make the trio special in the world of jazz.
Read MoreAlice Oswald’s “Memorial” begins with a list of 214 names, a bare, sorrowful cousin to the ship’s roll. If you know the old stories, you’ll begin to recognize some names, and then start to look forward to others.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read More
One might conjecture that Lena Horne’s career was something like a mink-lined minefield: the promise of wealth and fame went hand-in-hand with the possibility of annihilation.
Read MoreIf Patrizia Cavalli’s poetry is egocentric, even probably autobiographical, its narrator shows a detachment enabling her to observe herself from one remove, even when she describes herself in the élans of attraction.
Read More
Jazz Performance and CD Review / Commentary: Jane Ira Bloom’s “Wild Lines” and “Early Americans”
Exposing the jazz impulses in Emily Dickinson’s poetry is not an agenda for the novice.
Read More