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“There’s a giant chip on the shoulder of those who love musics of the world when it comes to klezmer.”
Read MoreThe Unknown Kerouac is good for the advancement of Kerouac scholarship, but the book hardly justifies, for the average reader, its price and size.
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It’s difficult to say if Steve Forbert sounds youthful now or if he has long since fully grown into his always expressive and distinctive voice. Or both.
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“Ornithology: The Best of Bird” might better be described as the best of Bird on Savoy.
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This kind of informed appreciation of a much-maligned writer of brilliance is a treasured relief.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreIf Owen Gleiberman has any complaint against today’s world of criticism it’s that everyone seems to be speaking in one voice.
Read MoreRich as the material is, can any Blood Artist develop and mature by just seeing red?
Read MoreThose willing to accept that powerful political theater can be as much about depicting pain as providing hope will find much to admire in this visually striking, dramatically compelling piece.
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“I’ve been beaten. I know what that’s like. They say, who has been a nail, can learn to be a hammer.”
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Arts Feature: Best Movies (With Some Disappointments) of 2025