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Shakespeare & Company’s staging of Merchant of Venice is the strongest this critic has ever seen or could hope to.
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Arts Fuse jazz critics offer their favorite performances from the Bird.
Read MoreEditors Christopher Ricks and Jim McCue are not trying to teach us how to read the poems.
Read MoreReading the essays in this collection is like receiving a first-rate tutorial on the way we live now and how we got here.
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Director David Charles Rodrigues incorporates this wealth of material, a superflux of images generated by Genesis P-Orridge and the various artistic enterprises s/he founded, with concision and insight. The life and work of his subject is chronicled over the course of a lucid and kaleidoscopic 100 minutes.
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The book’s final words offer hope for the future: “Despite the compromised nature of the trans film image of the past, there are many new horizons possible for the trans film image of the future, and that canvas, with all these images, will tell our story in cinema.”
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Big band leader Arturo O’Farrill points out that “Santiago Brooklyn Santiago” makes a forceful argument that the embargo between Cuba and the United States should be done away with.
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The 76-year-old Carlos Santana didn’t need to dominate with guitar showmanship to make his two-hour-plus concert fly without any lag in energy and spirit.
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Love for Nanci Griffith has empowered a hell of a record.
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Book Reviews: Chronicles of Russia’s War on Ukraine — Hope Is the Thing with Teeth
Two powerufl volumes show that Ukraine’s greatest weapons against Russia are hope and unity.
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