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Visiting the Frelinghuysen Morris House in Lenox got me thinking about modernist architecture in the eastern part of Massachusetts where Walter Gropius landed as part of the great exodus of “degenerate” artists, scientists, writers and other intellectuals who fled to America from Nazi Germany in the years before the second world war. by Helen Epstein…
Read MoreIn 1939, Clifford Odets wrote that ‘we are living at a time when new art works should shoot bullets.” Fat chance of any shots coming from our voluntarily disarmed theaters.
Read MoreDaniel Arasse’s method has been defined by his students as “looking, [taking] pleasure and [being] imprudent.” Any and every detail of a work of art can serve as his starting point.
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A testament to the power of benignant narcissism.
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Guitarist Steve Hackett honored the 50th anniversary of Genesis’ “Foxtrot,” yet this concert didn’t come across as just another night with a tribute band that sports a sole member of the original group.
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For viewers weary of horror that embraces the minimalist and dystopian, The Pale Blue Eye — chock-full of emotion, mystery, and romance from a bygone era — is a welcome sight indeed.
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The advantage to listening to the recorded Unstuck in Time: The Kurt Vonnegut Suite is that on disc pianist Jason Yeager writes beautifully for septet: the textures he evokes in his arrangements are curiously varied and invariably moving.
Read MoreJazz Album Review: Catherine Russell’s “Send for Me” — A Deep Dig into the Jazz of the ’30s and ’40s
If you’re a fan of the Great American Songbook, but have grown weary of the warhorses, Send For Me is a treat.
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The GSC production of Tiny Beautiful Things supplies a 90-minute catharsis, an opportunity to deal with all we’ve bottled up over the last 15 months or so.
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This live performance recording showcases the Boston-based singer/pianist Kemp Harris’s merrily eclectic approach — it is a thought-stirring and animated musical excursion.
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Arts Feature: Best Movies (With Some Disappointments) of 2025