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Fuse Concert/CD Review: Matt Wilson Quartet plus John Medeski, at Sculler’s

February 2, 2014
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The Matt Wilson Quartet prides itself on variety: the band can play ersatz Indian music, free jazz, and funky rhythm and blues, as well as an occasional touching ballad.

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Book Review: “The Elixir of Immortality” — A Fabulous Ride Through European History

February 1, 2014
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Love stories, treachery, brilliant plans, history itself gone awry – it’s all here in inspiring abundance in this fabulous novel, where the Spinozas make their way through hundreds of years of European history.

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Fuse Appreciation: The Late Pete Seeger — Creating Music on a Human Scale

February 1, 2014
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One of the more fascinating contributions Pete Seeger made to our collective musical sensibility was the effortless way in which he introduced what we now call “world music” to his audiences.

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Theater Review: A Pitch Black “House/Divided”

January 31, 2014
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“House/Divided” – a mélange of dazzling videography, startling and inventive lighting/props/stage craft, and spoken snippets of John Steinbeck’s quasi-Biblical prose – does not add anything new to our understanding of the current national malaise.

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Book Review: The Poetry of Pierre Reverdy — The Search for Purity

January 31, 2014
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Pierre Reverdy’s poetry that is suspicious of the deceiving beauty of words, hence its pared-down, elemental, stylistic qualities.

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Coming Attractions: What Will Light Your Fire This Week

January 31, 2014
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Arts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.

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Fuse News: Visionaries in Conversation

January 31, 2014
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Arts alert for readers in the Pioneer Valley.

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Film Review: “Gloria” — A Rare Film That’s Smart and Dead Right about Middle Age

January 31, 2014
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“Gloria” explores better than any movie I’ve seen how, when middle-aged divorcees become a couple, they are still affected by their relationship with their ex-spouses and children.

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Fuse Film Commentary: The Decimation of the Independents — Some Solutions

January 30, 2014
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The major film companies must divest themselves of their independent arms (which are anything but independent) and allow a return to the system that was in place for decades until greed and cinematic carpet bagging crushed it.

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Fuse Film Feature: Confessions of a Movie Critic — Waiting for His Next Close-up

January 30, 2014
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Who doesn’t want to be in a movie?

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