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Antoine Volodine is a master of the prolonged, very prolonged, tongue-in-cheek spoof. But he is also dead serious.
Makine may be plagiarizing himself, which is a perfectly legitimate thing for a writer to do, but scenes of spring snow and railroad stations become clichés even in talented hands.
Simplicity is the key to director Scott Edmiston’s passionate vision for this musical.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Love and Money is a short play, lengthened beyond one-act duration by stuffing a Cole Porter interlude into its middle.’
Claims that Stephan Micus erases international boundaries and makes one-world music get it backward. You visit his world on his records.
Here is a random roster of playgoing pests, may Thespis strike each of them dumb.
John Taylor introduces readers to an amazing array of sensibilities and life histories in a babel of languages from an atlas of nations.
Dance Commentary: Is Dance Criticism Dead?
Neither dancers nor the dance audience are out on the barricades demanding more and better dance coverage.
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