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Fuse Theater Review: BSC’s “His Girl Friday” — Fast Action on the Chicago Beat

August 17, 2015
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His Girl Friday is a stirring celebration of the power of journalism that not only amuses but manages to be troubling as well.

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Fuse Theater Review: Shakespearean Sublimity — “Red Velvet”

August 16, 2015
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As an aged Ira Aldridge, John Douglas Thompson creates a spellbinding picture of vulnerability and strength.

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Fuse Coming Attractions: What Will Light Your Fire This Week

August 16, 2015
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Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.

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Book Review: The Resilient Wisdom of Tony Judt – For the Ages

August 15, 2015
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Tony Judt is an American treasure, in time he may prove as great to our country as George Orwell and Albert Camus are to theirs.

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Film Review: “Ricki and the Flash” — A Damp Squib

August 15, 2015
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Ricki and the Flash is a film that is bad enough to hurt a lot of reputations.

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Theater Review: “Blink” at the Chester Theatre Company — Anything But Fleeting

August 14, 2015
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Technology is the gimmick in this two-hander, but what makes Blink absorbing is the writing, teamed with excellent acting and directing.

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Classical Music Feature: Fifty Years Later, Jacqueline du Pré’s Elgar Remains the Gold Standard

August 14, 2015
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There is something undeniably affecting about Elgar’s composition and cellist Jacqueline du Pré realizes it all with an unbridled depth of feeling.

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Theater Interview: Davis Robinson on “Ensemble Devising” — Artistic “Rapid-Response” Teams

August 13, 2015
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“For artists involved in doing ensemble devising, there is tremendous value in the creative challenge on every level.”

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Film Review: “The End of the Tour” — David Foster Wallace Done Right

August 13, 2015
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The End of the Tour don’t remain a hall of mirrors but become a bridge that conveys its subject’s honest, painful humanity.

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Theater Review: Peterborough Players’ “Born Yesterday” — The More Things Change …

August 13, 2015
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Writing seriously about a play that might not be meant to be taken so seriously presents a risk, but the provocation embedded in the social message of Born Yesterday can’t be escaped.

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