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One must be impressed by memoirist Matthew Spender, who refuses to descend into resentment or anything resembling self-pity despite a very strange childhood.
Read MoreMaster of None is an exercise in emotionally intelligent storytelling that delves into the real lives of its characters.
Read MoreAs with so many Frederick Wiseman films, we get color, character, sociology – and cinema.
Read MoreAvoiding overly melodramatic images, The 33 is a true horror story on screen, one that we can identify with in the deep, fearful recesses of our collective subconscious.
Read MoreA bewitching South African version of Bizet’s opera — performed with a distinctive blend of spunk and sass.
Read MoreHub Theatre Company’s production is artfully staged in a challenging, three-quarter round space.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Read MoreEach of the ten or so music-less sections showed us a different way of composing movement.
Read MorePostmodern Jukebox dials the clock back on contemporary pop.
Read MoreTwo films in the Boston Jewish Film Festival: one sticks to the commonplace, the other looks at the bizarre.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler