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Nausheen Eusuf’s deep affection for language and sound is omnipresent.
A wide-ranging slate of documentary features on display in this year’s Independent Film Festival Boston. Here’s a sampling of a few of the standout films coming up.
New Yorker critic Alex Ross has called the LAPO the best orchestra in the country and that appellation seems about right.
The thought of the Kissin/Emerson collaboration was very intriguing, and I anticipated amazing music making.
What starts off as a rollicking entertainment ends with a flourish of profundity.
This time around, as both a writer and director, Paul Schrader has a found a story, and the artistic restraint, to convey his elevated vision.
Juan Andrés Ospina is not just an original big band writer, but a deeply satisfying one as well.
Wild Wild Country details the insane clusterfuck that results when faith, fundamentalism, and media hype intersect.
But, amidst all this excitement, there was an undertow of concern in the crowd at this year’s IRNE Awards.
This is an important and timely book, one that happens to be compulsively readable and that anyone even mildly interested in the intersection between religion and politics, faith and science, or religious commandment and secular law should read.
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