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“The Invisible Enemy Should Not Exist” is a rare transformative piece of public art.
WGBH’s Eric Jackson has truly been the voice of jazz in Boston for more than forty years. This year, Boston Jazz Week centers around a celebration of Eric’s four decades at the heart of the jazz scene in the Boston metro area.
Gibney’s volume offers a wide range of readers with an introduction to the complexities of Irish history, including questions of what exactly constitutes the national history itself.
The delightful Wadsworth installation is a fitting setting for the beloved artist and illustrator and the work he himself loved.
It’s not a bad time to be performing back-to-the-boogie heavy metal music anywhere in the world.
The Lyric Stage production of Anna Christie does right by Eugene O’Neill’s brilliance.
In You Were Never Really Here, Lynne Ramsay’s themes of alienation, violence, guilt and redemption are once again present, albeit in a more frenetic form than before.
This is a sound I’ve never heard before at a chamber concert: over twenty musicians breathing in unison.
Jazz Commentary: Survival of a Scene in Boston
Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.
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