Posts
WGBH’s Eric Jackson has truly been the voice of jazz in Boston for more than forty years. This year, Boston Jazz Week centers around a celebration of Eric’s four decades at the heart of the jazz scene in the Boston metro area.
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Gibney’s volume offers a wide range of readers with an introduction to the complexities of Irish history, including questions of what exactly constitutes the national history itself.
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The delightful Wadsworth installation is a fitting setting for the beloved artist and illustrator and the work he himself loved.
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Hub Theatre Company’s True West is a joy to watch.
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It’s not a bad time to be performing back-to-the-boogie heavy metal music anywhere in the world.
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The Lyric Stage production of Anna Christie does right by Eugene O’Neill’s brilliance.
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In You Were Never Really Here, Lynne Ramsay’s themes of alienation, violence, guilt and redemption are once again present, albeit in a more frenetic form than before.
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This is a sound I’ve never heard before at a chamber concert: over twenty musicians breathing in unison.
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Iranian director Abbas Kiarostami’s last film is made up of a series of sometimes resplendent, sometimes disappointing, images.
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Jazz Commentary: Survival of a Scene in Boston
Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.
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