Posts
A quartet of standout movies, the best of the just ended Provincetown Film Festival.
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The privilege Edith Wharton’s characters swim in has not disappeared. If anything, it’s expanded farther into the social stratosphere.
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Pepperland serves up the expected tie-dye nostalgia, keyed to a half-dozen Beatle tunes from the classic album.
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Nancy is mystifying, but in this case the inexplicable has its fascinations.
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Ethan Mordden’s volume openly defies anyone to dismiss the American musical as mere fluff.
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Summer 1993 is provocative, both for the raw depth of the emotions it evokes and the directness of its storytelling.
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
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Having a father in prison meant radical changes in our everyday lives.
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Do the games of the Marquise and Valmont still have the same old sinful fire and political relevance?
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Jazz Commentary: Greg Hopkins Big Band at Ryles — Whither Big Bands?
At this time in the Boston jazz scene, there are no ongoing spaces for big bands and, predictably, the number of such ensembles has shrunk.
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