Posts
On these two discs you’ll find masterfully played, engaging excursions into the tonal beyond.
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The Cake is a smart, stinging, and eerily timely comedy that feels timeless.
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Some may think that the western-genre-turned-arthouse-gimmick has been played out, but Damsel‘s fresh energy and pioneering spirit offers redemption.
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Ruby Rose Fox’s artistic/political mission with Salt is clear: the singer wants to look back at and revamp the radicalism of the ’60s.
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It is heart-warming that, in these “worst of times,” playwrights like Carey Crim are working quietly to give us a look at new beginnings with humor and tenderness and hope.
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There are no missteps on this disc. Buster Williams and company make all the complications swing, mightily.
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Being able to comfortably shift gears between “high” and “low” culture is one of the easiest ways in which a contemporary critic can gain the reader’s trust.
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So who knows where the time goes? Sadly, it only goes in one direction. But the past can be gracefully revived.
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L. M. Brown has also written poetry, and she brings some of that lyrical know-how to her promising first novel.
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Visual Arts Commentary: Now + There — Reinterpreting Public Art in the Civic Environment
An organization dedicated to making Boston a vibrant, contemporary art city.
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