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Tyshawn Sorey flies far from his innovative masters. I hardly expected that the result would be so mesmerizing and alive.
Eleanor Burgess’ The Niceties is an articulate, if structurally crabbed, expression of #blacklivesmatter anger as well as a millennial rebel yell.
The show’s attempt at satire comes off as blunt and lecture-heavy at times, but the production still manages to be an engaging comedy of manners.
This slender memoir reads like a rambling conversation with a literary stranger you meet on a train.
How will PC New Englanders react to seeing nutria gunned down by hunters, and some bashed on their heads to make sure they are dead?
In every meaningful way, The The’s return to the States, the band’s first tour in 16 years, was generous.
Two Mahler symphony entries: one is above average, the other a disappointment. Violinist Arabella Steinbacher delivers a first-rate and strongly recommended disc.
“The work is now stronger having successfully balanced both the needs of the visual choreography and the sound.”
Is this lineup of jazz performances richer and more mouth-watering than we’ve seen in many a year? Yep.
Visual Arts Commentary: Three Temporary Public Art Pieces — A Dialogue with Art and Ourselves
Three bold new public art installations underscore the possibilities of visual and conceptual experiences in 21st century Boston.
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