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Time For Romance: But Beautiful may qualify — if I can even use the term now — as seduction music.
This is an opportunity to take in the early stirrings of Tennessee Williams’ talent as a playwright.
Ethan Hawke’s goal as an artist is to connect meaningfully with the world — avoiding artifice is essential in terms of his acting, directing, and writing.
His beautiful sound is undimmed by time, his sensitivity to nuance is intact, and his choice of virtuoso partners was a delight.
Not all of the production’s choices pay off, but Hamnet is a fascinating, one-of-a-kind play that strikes at a universal sense of longing.
If Charlie Harmon’s story jumps around a bit and reads rather like a series of diary entries, it’s at the very least engaging and, for the most part, entertaining.
While Beth Genné proffers a terrific take on dance and its social context, she exhibits a shaky grasp of musical-theater history.
We need a satire that takes Trump’s radical threat more seriously than Vicuña.
All of Shirkers demonstrates the wonderfulness of making cinema. I Am Not a Witch dramatizes the mystery and solidarity of accused witches.
Jazz Commentary: Chet Baker — The Climax of Cool
For most of its history, jazz has been a macho culture. Sexual ambiguity or gay-ness were subjects of derision.
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