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The strength of The Mars Room is its compelling vision of the stultifying and claustrophobic underworld of women in prison.
Ilan Stavans’ latest book is an engrossing potpourri of this thinker’s continuing thoughts about language, culture, and the self.
One of the few books that examine the largest mass killing of gays and lesbians in the United States until the 2016 massacre at Pulse.
Taylor Mac and Pirandello share the same goal: reveal the deadening vacuity at the heart of bourgeois society and the male ego.
JoAnn Falletta’s recording of Schreker’s orchestral works is fantastic; Manfred Honeck and his Pittsburgh Symphony make Beethoven’s Eroica Symphony shocking again, and Baiba Skride proves a strong advocate for Miklós Rózsa’s Violin Concerto.
Most of the time, Actors’ Shakespeare Project’s production of Macbeth is compelling.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Violinist Viktoria Mullova supplies one of the year’s most programmatically-cohesive and thoughtfully-executed albums.
Some may find the Lise Meitner’s story cathartic, others may think it is frustratingly familiar.
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