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What’s a band of re-orphaned misfits to do? Dance away the pain, obviously.
Francois-Adrien
I fell for the Harry Dodge exhibition, but I confess to not entirely ‘getting the picture.’
Michael Gordon’s score for The Unchanging Sea works better as soundtrack than a concert work; Harmonia mundi releases a DVD of William Kentridge’s powerful staging of Alban Berg’s Wozzeck.
On an elemental level, Stanley Donen’s films epitomize what we think of when we think of the best of Hollywood cinema.
This Sunday’s BPYO concert tied together a number of highly personal strands, presenting music connected to two of conductor Benjamin Zander’s mentors — Benjamin Britten and Gustav Holst.
The script offers an indispensable vision of American history from the point of view of African women.
John Corigliano’s take on goodbyes is, if not exactly bitter, then full of sorrow: few happy memories to be had here.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Commentary/Interview: “Du Bois’s Telegram” — Restricting Literary Resistance
Is there a disconnect between artists and meaningful resistance movements?
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