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Markus Maskuniitty’s solo debut recording is stunning, Howard Shelley and the Tasmanian Symphony Orchestra play Clara Schumann’s Piano Concerto with zest, and this is one of the strongestNew Year’s Concerts of the decade from the Vienna Philharmonic.
The horrors portrayed in See You Yesterday are facts, but this show does not yet address the meaning a new generation can make of those facts.
The BTCA should take action in support of #MeToo.
Vince Mendoza’s colorful arrangements give us a welcome new way to appreciate Fred Hersch’s impressive creativity — his amply satisfying accomplishments as a composer.
“Since the late ‘60s I’ve been up and down the Northeast corridor, and Boston’s always one of our favorite stops.”
Here was another (all-too) typical example of ballet companies reinforcing a patriarchy that hardly reflects the number of women in their ranks.
The boys (Lucas Spiro and Matt Hanson) are joined once again by Arts Fuse editor-in-chief Bill Marx.
In this valuable study, Caitlin Rosenthal isolates an assortment of business practices and technologies that reflect the sophistication of New World plantation economies — dispelling myths of their romantic crudeness.
Farcical fight and sex scenes might be forgivable, but the “mystery” is so barely there it utterly fails to engage — and that’s lethal to a novel in this genre.
Film Commentary: “Between the Lines” Eulogizes the Beginning of the End of Boston’s Alt-Weekly Era
Even 42 years ago, disillusionment was setting in among the workers at alt-weekly papers like The Real Paper and The Boston Phoenix.
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