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“Since the late ‘60s I’ve been up and down the Northeast corridor, and Boston’s always one of our favorite stops.”
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Here was another (all-too) typical example of ballet companies reinforcing a patriarchy that hardly reflects the number of women in their ranks.
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The boys (Lucas Spiro and Matt Hanson) are joined once again by Arts Fuse editor-in-chief Bill Marx.
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In this valuable study, Caitlin Rosenthal isolates an assortment of business practices and technologies that reflect the sophistication of New World plantation economies — dispelling myths of their romantic crudeness.
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Farcical fight and sex scenes might be forgivable, but the “mystery” is so barely there it utterly fails to engage — and that’s lethal to a novel in this genre.
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black odyssey boston is a fearless, funny, and fraught reimagining of Homer’s Odyssey as the story of the African-American diasporic experience.
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As readers know, a thread of melancholy runs through Tolkien’s masterwork, deepening and informing his achievement. It should, by rights, have its place in any depiction of his life.
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This month focuses on contemporary country-rap. It’s high time we take note of a fledgling genre on the verge of mass popularity.
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Cry It Out is a well-done dramedy that suggests that we try harder to let life’s sweet moments linger.
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The perversity of The Handmaid’s Tale oppressive allegory lends itself well to opera, and Boston Lyric Opera makes the most of the material’s emotional heights and depths.
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