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The turf war for the bodies and souls of Montana’s Jews makes for an engaging inter-tribal drama.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
When confronted with a seemingly intractable quandary, playwright Larissa FastHorse — and her characters — take the easy way out.
In this book, Naomi Klein shines a light on the path to a politically and economically just model of sustainability.
TRIPTYCH (Eyes of One on Another) serves up a cool emotional package.
Michel Layaz’s narrator is juggling much more than nostalgia — his traumas are overwhelmingly odd and disturbing, almost to the point of absurdity.
All told, The Topeka School is engaging — it’s a talented and kaleidoscopic story touching down just about everywhere in modern life.
Dramatist Tracy Letts’s new play is raw, funny, and intensely personal.
No one would classify the National as “arena rock,” but Matt Berninger and the group proved at Agganis that they’re quite capable of filling an arena and then putting on a show worthy of the space.
The audience members were as diverse as the cast, the show is not being staged in a traditional space in Boston, and the play is incredibly relevant.
Fest Review: IFFBoston Shorts — Part One