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Colson Whitehead’s work is political in the sense that he has an incredibly keen eye for the insidious ways in which institutions and structures of power work.
A new biography of the oft-forgotten ‘filibuster’ provides ample facts and little thesis. Is that enough — don’t we need more?
To have such a remarkably courageous voice as Lucette Lagnado’s silenced forever at such a young age is, simply, not fair.
When you do this kind of thing it has to be done with bravura and wit — bad poets borrow, good poets steal.
Robert Macfarlane’s ability to limn the pull between beauty and cataclysm provides a dynamism that elevates this book well above the level of simple “nature” writing.
Nothing in this session reminds us of the age of the principals. That in itself, if not miraculous, is at least impressive.
I’m able to pull the stick out of my ass long enough to enjoy a tribute performance when it is worthy, and the Australian Pink Floyd Show is more than that.
David Gow’s earnest, intelligent drama about the fragility of identity, though somewhat glibly reassuring, generates powerful moments in this bare-bones production from the Acropolis Stage Company.
Two recordings serve up the music of Mozart in unusual packages.
Visual Arts Review: Frank Lloyd Wright’s Fallingwater — Brilliance Beyond Myth
20th Century Modern Architectural Greatness
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