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Watershed is an unadorned but stunning addition to the offerings at the deCordoba Sculpture Park and Museum.
Marianne is one of the slickest horror series I’ve seen on Netflix.
Frolic and Detour contains a few poems that I judge to be instant classics of English-language poetry.
Director Igor Golyak takes major chances in presenting a version of The Seagull that’s self-consciously about The Seagull. And they pay off.
Arts Fuse contributor Glenn Rifkin chats about his time with the magazine and his latest book, “Future Forward.”
This is a brilliant book that comes at a propitious time in our country’s history.
Biographer James Kaplan was aided by the assistance of Irving Berlin’s two elder daughters, and that makes this biography particularly valuable.
At a time when Kenneth Branagh busies himself clogging up multiplexes with bombastic Agatha Christie all-star remakes, director/writer Rian Johnson revels in subversion of the genre.
Nearly halfway into the set, Twigs finally turned to Magdalene, which casts an empowering light on Jesus Christ’s female companion — and stands among 2019’s best albums.
But really, what is a Bob Dylan concert these days if not a case study in transformation?
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