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While The Assistant’s scenario alludes to Harvey Weinstein, the problem is systemic in the entertainment business and probably many other workplaces.
While there is much to admire about Detroit Red’s script, there are serious problems with the staging.
Vivian Gornick is an elegist of the transformative experience of reading and writing, what she calls “the companionateness” of books.
For all the teen-pop trappings, however, there is an old-fashioned sensibility to Rex Orange County’s music.
The main problem with Gloria is its expository storytelling. Events are mostly announced and described rather than recreated.
Underground Railway Theater has a runaway hit. You’ll never see a show quite like it. It’s bold, ridiculous, and very risky.
Praxis Stage picked the right time to stage a Shakespeare play about a head of state who doesn’t have anything on his mind but corruption.
Arnold Rosner’s writing in each act is strongly contrapuntal, metrically unpredictable, and idiomatically scored. The music is marked by constantly shifting colors, a strong sense of rhythm, and a healthy dose of lyricism.
The New Rep production of Hair is acceptable: if the intent was to look back at a now-dated musical that once caused a stir.
YouTube Commentary: “李子柒 Liziqi” — Nature and Internet Celebrity in the Time of the Coronavirus
Not only do Lǐ Zǐqī’s videos offer us the satisfaction of seeing material labor, but they also suggest the impossibility — in the modern world — of genuinely recreating the work of the past.
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