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Mariss Jansons’ ultimate performance, taped live at Carnegie Hall, shows the maestro at the top of his game; François-Xavier Roth’s new recording of pieces by Ravel and Debussy is a bit of a hit-or-miss affair; Diana Damrau’s Tudor Queens, a survey of heroines from three Donizetti operas, is nothing short of terrific.
Read MoreNothing to recommend in Daniel Lozakovich’s take on the Beethoven Violin Concerto, but Midori’s performance of the piece is completely unpretentious, natural, and exciting. Gidon Kremer & friends serve up a terrifically flexible version of Carl Reinecke’s adaptation of Beethoven’s Triple Concerto.
Read MoreThose looking to understand why Dolly Parton is such an icon, or searching for a thoughtful and witty alternative to Hillbilly Elegy, would do well to read this book.
Read MoreA delightful and compact opera — from a generation before Mozart — that cuts various social types down to size.
Read MoreThis is not your typical horror film; it thoughtfully explores how houses and people can both be haunted.
Read More“I don’t want to show myself because I don’t think I’m very interesting to look at. The world is filled with so many other interesting things to look at.”
Read More“I think these shots bring out the fierceness of black metal, and the models are saying, ‘We can be this.’”
Read MoreIt’s hard to imagine many of Gail Mazur’s poems emerging from anywhere else than from inside Route 128.
Read MoreIn this innovative series, the Huntington Theatre Company has charged 11 local playwrights to imagine a future vision of Boston, post-pandemic, when “we can once again meet and connect in our city.”
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner