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At a time when ambitious women of any sort were often harshly criticized for pursuing a professional career, Barbara Rose only forged on.
The film feels amateurish in the most complimentary Stendhalien sense: created in a spirit of play, rather than a sweaty effort to advance a studio agenda.
Producer Ted Olson is on a mission in We Shall Be Reunited to do justice to the past; he imagines a beautiful alternative to the current ballyhooed origin story of country music.
Lots of artists made recordings during their lockdowns that have been released as vinyl, streams, videos and, in the case of the Attractors and Flying Vipers, even cassette tapes.
In its efforts to subvert well-known tropes, and reclaim the subgenre’s feminist cultural potency, Promising Young Woman undercuts its own transgressive potential by doing away with what makes rape-revenge films compelling.
Some of the best music documentaries of 2020 – and some disappointments
Our theater critics pick some of the outstanding productions of a year truncated by COVID-19.
Why are Boston stages reacting so serenely to our current miasmas — pandemical, political, economic, and spiritual.
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Film Review: The Best Horror of 2020
It was the most terrifying of times, it was the most horrifying of times.
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