Posts
The film feels amateurish in the most complimentary Stendhalien sense: created in a spirit of play, rather than a sweaty effort to advance a studio agenda.
Read MoreProducer Ted Olson is on a mission in We Shall Be Reunited to do justice to the past; he imagines a beautiful alternative to the current ballyhooed origin story of country music.
Read MoreIn its efforts to subvert well-known tropes, and reclaim the subgenre’s feminist cultural potency, Promising Young Woman undercuts its own transgressive potential by doing away with what makes rape-revenge films compelling.
Read MoreSome of the best music documentaries of 2020 – and some disappointments
Read MoreOur theater critics pick some of the outstanding productions of a year truncated by COVID-19.
Read MoreWhy are Boston stages reacting so serenely to our current miasmas — pandemical, political, economic, and spiritual.
Read MoreIn the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Read MoreThe second recording of William Alwyn’s searing opera confirms the work’s vitality and importance. It is one of the best and most accessible operas to have been written in the past few decades.
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Film Review: The Best Horror of 2020
It was the most terrifying of times, it was the most horrifying of times.
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