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The film feels amateurish in the most complimentary Stendhalien sense: created in a spirit of play, rather than a sweaty effort to advance a studio agenda.
Read MoreProducer Ted Olson is on a mission in We Shall Be Reunited to do justice to the past; he imagines a beautiful alternative to the current ballyhooed origin story of country music.
Read MoreIn its efforts to subvert well-known tropes, and reclaim the subgenre’s feminist cultural potency, Promising Young Woman undercuts its own transgressive potential by doing away with what makes rape-revenge films compelling.
Read MoreSome of the best music documentaries of 2020 – and some disappointments
Read MoreOur theater critics pick some of the outstanding productions of a year truncated by COVID-19.
Read MoreWhy are Boston stages reacting so serenely to our current miasmas — pandemical, political, economic, and spiritual.
Read MoreIn the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
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Film Review: The Best Horror of 2020
It was the most terrifying of times, it was the most horrifying of times.
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