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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
The Andromeda Strain’s anti-intellectualism is rooted in Cold War paranoia: a distrust of science, of academia, and of the press.
Egon Wellesz’s Weimar era critique of the cruelty of nations that are victorious in war still rings hauntingly true.
A welcome addition to Scottish percussionist Colin Currie’s endlessly fascinating discography – as well as to Austrian maverick HK Gruber’s.
This new adaptation is sure to spark criticism from Döblin and Fassbinder loyalists, as well as those who might feel the film is not politically progressive enough. Nonetheless, it strikes the right chords: balancing between textual fidelity and contemporary relevance.
If this is your first Bluebeard’s Castle, Susanna Mälkki’s recording makes for a fine, occasionally inspired, introduction.
Director Ben Wheatley has a knack for creating characters whose anti-social behavior is shocking.
The documentary slate at this year’s Independent Film Festival Boston’s all-virtual spring festival puts non-fiction film front and center.
About Endlessness’s deadpan combination of sadness and rage feels complete, as if the master dropped the mic before leaving the building after the final edit.
Host Elizabeth Howard talks to Fred Turner and Mary Beth Meehan about their book Seeing Silicon Valley: Life Inside a Fraying America, a photographic study of income disparity.
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