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Pop a bowl of popcorn, pour coke over a tall glass of ice, and listen to author and screenwriter Jesse Kornbluth’s irreverent, amusing take on the Oscars.
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Director Jess Chayes has done all that is humanly possible to stage a lively live production under Zoom constraints.
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This is one of the best traditional big band records you’ll hear this year, or maybe this decade.
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Read More Podcast host Elizabeth Howard talks to the curator who helped conceived of the powerful exhibition “Grief and Grievance,” in which Black artists bear witness to decades of their own challenging experiences.
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There’s much to enjoy here and admire, both in the performances and the selections on hand, which hardly dwell on the usual suspects or limit themselves too narrowly.
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A singular muscularity infuses these short stories, a confidence that astonishes.
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“I really thought that I could sustain a life in music, but perhaps I’d end up in Las Vegas backing Tom Jones or something.”
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Richard Thompson’s memoir displays flashes of his writerly talents, but the volume feels a bit less immediate than one might hope.
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At this point in his career, Mayr is contributing to the development of the musicodramatic conventions that would set the stage for the masterpieces of Donizetti, Bellini, and Verdi.
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