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This disc from the London-based Kaleidoscope Chamber Collective pairs piano quintets by Amy Beach and Florence Price with Samuel Barber’s haunting “Dover Beach.”
Recently, a number of public artworks have been charged with memorializing ghosts or “specters” of the past.
This is a disc that begs for a sequel (or a whole series).
To his credit, Louis Menand personalizes his historical cast and humanizes ideologies and aesthetics.
The premier entry in the HBO documentary series “Music Box” shows how everything about the concert celebrating the 30th anniversary of Woodstock goes terribly wrong, then gets worse.
The Road to Ruin is a practically unknown film begging for discovery, and to be championed as a startling example of pre-Code cinema. And as a keystone for creating a directorial reputation for “Mrs. Wallace Reid.”
“I’m an anarchist as an artist — I write what I want, however I want. I refuse to adhere to the forms that society hands down.”
The increased racial and cultural diversity of In Treatment’s cast and overall tone are noteworthy and commendable.
Roadrunner: New Light, New Machine is Brockhampton’s tightest album to date.
Film Commentary: Time to Reduce Filmmaking’s Carbon Footprint
It is about time that the filmmaking industry is forced to seriously grapple with issues of sustainability.
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