Posts
The talent at Club Passim’s Nanci Griffith night represented at least two generations: it was a nice, low-key salute to the singer/songwriter, who played the venue often in the mid-’80s.
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A packed, wide-ranging conversation with violinist Anne-Sophie Mutter that touches on several subjects, from a lifelong love of jazz to her verdict on John Williams’ Violin Concerto no. 2.
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Are Boston’s stage critics disengaged from reality? Or is it that they are afraid to speak up?
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Director Anton Fuqua forgoes his usual action milieu with an unrelentingly tense, highly emotional English language remake of Den skyldige.
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Elizabeth Howard talks to Stephen Petronio, choreographer, dancer, and the artistic director of the Stephen Petronio Company, about what plans forward-thinking artists have for the future.
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Cry Macho is little more than nostalgia for the Old West of Hollywood.
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Some tracks work better than others, but Maya Beiser’s larger effort succeeds in presenting Glass’s music in a more nuanced – and musically complex – light.
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Translator Nandana Dev Sen has opened a window for us to savor Bengali women’s poetry through these lovingly translated poems of her mother.
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A thoughtfully conceived, technically excellent, beautifully recorded, and expressively rich album that celebrates 20th-century piano music by (mostly) American composers.
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Arts Commentary: It’s OK to Like Board Games, Even the Bad Ones
These cheesy board games were repetitive and horrible and I loved every one of them.
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