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Comes Love was Sheila Jordan’s first full recording session as a leader, and it automatically becomes a collector’s item for those who love the legendary jazz singer’s work.
Read MoreEach month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Read MoreSeries creator Molly Smith Metzler clearly cares about the subject matter and is determined to tell a nuanced story about the hellish plight of the victims of domestic abuse.
Read MoreLet’s see if Prayers for the Stolen is selected as Mexico’s Academy Award nominee. It’s a long shot, given that this is a film that tells so much of the truth.
Read MoreA hatred of self and others sits, relatively neglected, at the center of Adam Rapp’s script.
Read MoreUnfortunately, it’s becoming increasingly rare for Boston area theater companies to produce shows that are as deeply rooted in our local culture as this one.
Read MoreFor all its skin-tearing brutality, Titane is uncharacteristically tender underneath its heavy metal shell.
Read MoreThis is an all-English album whose strongest moments are mighty and who’s most intriguing piece is a revelation.
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Arts Remembrance: Arnie Reisman — The Party of the First Part
In a way, Arnie was, to Boston, what George S. Kaufman was to the Algonquin Round Table, except the “vicious circle” lasted only ten years while Arnie enlivened his circle of friends for more than sixty.
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