Posts
Two divergent works of theater for the screen were at this year’s NYFF, an adaptation of Macbeth in black and white, and a raunchy sleeper from Romania.
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A conversation with acclaimed filmmaker, poet, and educator Lynne Sachs about her work, particularly 2020’s Film About a Father Who.
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On many levels, Hold Me Down is terrific. Its power lies in the vitality of Clea Simon’s prose and her insider savvy.
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Pedro Almodovar’s latest, Parallel Mothers, sets up a dialectic between women’s regenerative powers and the blood-soaked history of pre-WWII Spain.
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I’m not entirely sure if Enigma just adds up to the sum of its parts or if it, in fact, exceeds them. Either way, it is music of stirring, striking originality.
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Writer Jacqueline Gay Walley has become adept at probing the unpredictable interaction of self and others, transformations that imprison as well as liberate.
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For Benjamin Zander and his musicians – as for all of us – it was a strange, even desperate, several months.
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The fourth and final season of On My Block maintains its precarious equilibrium between laughter and menace, but it is teetering.
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At 75, Dave Liebman pays tribute to John Coltrane by still doing what Coltrane would surely have wanted him to do: to look within and find truths that are a wellspring of rewarding and challenging music for the rest of us.
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Author Interview: Vermont’s John Killacky — At the Service of Art, Critique, and Civic Conversation
“I believe artists create a safe space for unsafe ideas in our world.”
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