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Host Elizabeth Howard talks to South African photojournalists Sumaya Hisham and Eric Miller about how their work documents the life and ideals of the late Archbishop and Noble Peace Prize Laureate Desmond Tutu.
To always be listening more and to therefore always be listening differently is of course the very nature of fandom, and to call What’s Good the work of a fan is not a putdown.
Aside from the multiple awards Dune won for technological brilliance, the 94th Academy Awards was a very different sort of “Hooray for Hollywood.”
Once Twice Melody goes about refining rather than changing Beach House’s vision of dream pop.
In Lowell, America played to a packed, enthusiastic, Centrum Silver-popping crowd who sang along with the band’s impressively deep roster of hits.
Sibelius’s Violin Concerto is almost something of a phenomenon now: in just eight months, I’ve heard it played by three different fiddlers — Baiba Skride, Lisa Batiashvili, and Inmo Yang.
A major contribution to the recorded repertory, making clear just how effective Saint-Saëns’s The Yellow Princess could be on stage, its nowadays objectionable title repudiated by its varied and nuanced approach to the evocation of the exotic.
This is an immensely complex, deeply atmospheric story of the working class, of immigrants with global origins, many who are descendants of early settlers.
Jean-Michel Pilc is a talented pianist who expresses his happiness at just being alive via performances that treat the most revered standards in a manner that is wholly personal, even idiosyncratic — yet memorable.
Arts Commentary: The Oscars 2022 — No Longer So White, But Still Not So Hot
It was soon clear what Oscar was after: two separate younger demographics — one with plebeian cinematic tastes, the other with hip politics.
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