Posts
Like the films of the 2000s, Senior Year is filled with chuckles but eschews substance.
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Nazareno is bright, often joyous, and easy on the ears. That ought to count for something.
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As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Violinist Lea Birringer’s performance of the Christian Sinding selections are impressive. Her Mendelssohn Violin Concerto, though, is missing drive, excitement, and passion.
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Personable but bracing, Sea Sick delivers an essential message: not only about the damage that is being done to the oceans, but the horrors that are coming down the pike.
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What could have been a fantastic twenty-minute short becomes a tedious slog as a stretched-out feature.
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This BarabásiLab exhibition is inspiring because it exemplifies a powerful integration of art and technology.
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A welcome homecoming for a new 4K digital restoration of a landmark independent film that’s attained cult status.
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Africa’s Struggle for Its Art usefully charts the prequel to current campaigns pressuring for the return of colonial plunder.
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Book Review: “The Poetics of Cruising” — Imaginative Acts of Capture
By exploring the historical and artistic significance of cruising throughout poetry, photography, and visual culture, the book produces a rich and exciting topography of queer culture that posits a reflexive relationship of vicarious cruising between “cruising texts” and their consumers.
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