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Two beloved cult properties arrive on Broadway with formidable casts and decades of devotion behind them – but conjuring darkness turns out to be harder than it looks.
“Making Art and Making a Living” assembles colorful tales of ingenuity while skirting the economic inequities that make them necessary.
Fatih Akin’s “Amrum” traces a boy’s quiet moral awakening as Nazi Germany falls, blending lyrical imagery with unsettling historical clarity
Rhiannon “Ritzy” Bryan on solo detours, storytelling onstage, and reigniting the band’s spark ahead of a Boston return.
Neige Sinno’s “Sad Tiger” turns a devastating childhood experience into a fearless, searching work of moral and psychological clarity.
Marjorie Garber’s case for poetry as resistance proves more fanciful than persuasive.
A new collection of Harold Bloom’s letters reveals a critic who found the heights of Western literature far more inviting than the “drab” reality of a Vermont forest.
Poet Adrian Matejka distills identity, anti-racist critique, political commentary, and literary history into rapid left-right-left punches, each landing hard.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
With chemistry forged on tour, the group fuses jazz, punk, and prog into a fluid live assault.
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