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More than skin deep, and not as sentimental as it might first appear, Rachel Portesi’s adoption of Victorian techniques is appropriate to the themes of loss and change she sets out to explore.
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It is tempting to call All That Breathes a film of great humanity, but the documentary’s empathy extends far beyond humans.
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You want horror? This month Criterion Channel serves up plenty of cinematic chills, vintage and otherwise.
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Homage to a Modernist architectural gem located in the woods of Lincoln, MA
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A gathering of documentaries (not to mention features and shorts) whose exploration of the perseverance of longing and identity in the wake of a historical tragedy demand to be seen.
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For once, shame worked. Museums that normally court the robber barons of our era capitulated and took the Sackler name-plates down.
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Europa Galante is small enough to make touring financially viable, yet large enough to successfully undertake “larger” works in a variety of venues.
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The season-long celebration of the fiftieth anniversary of Benjamin Zander’s debut as a conductor, which gets underway later this month when the Boston Philharmonic Orchestra (BPO) returns to the stage, doesn’t stint on festive spirit.
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Ruben Östlund is a richly talented filmmaker who puts the world of outrageous privilege in his cross hairs.
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Unlike the slow, spacy stonerism of the 1973-77 era, early Pink Floyd is a much more rocking experience, and those foundational tunes of English psychedelia take on the excitement of punk to modern ears when heard live.
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