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For once, shame worked. Museums that normally court the robber barons of our era capitulated and took the Sackler name-plates down.
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Europa Galante is small enough to make touring financially viable, yet large enough to successfully undertake “larger” works in a variety of venues.
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The season-long celebration of the fiftieth anniversary of Benjamin Zander’s debut as a conductor, which gets underway later this month when the Boston Philharmonic Orchestra (BPO) returns to the stage, doesn’t stint on festive spirit.
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Ruben Östlund is a richly talented filmmaker who puts the world of outrageous privilege in his cross hairs.
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Unlike the slow, spacy stonerism of the 1973-77 era, early Pink Floyd is a much more rocking experience, and those foundational tunes of English psychedelia take on the excitement of punk to modern ears when heard live.
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At House of Blues, Fontaines D.C.’s brooding, bristling music was offset by shifting swatches of amber and purple lighting amid the shadows, casting the musicians in mysterious terms.
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Religion is false, unscientific, and morally dubious, and any discussion that doesn’t take that as its starting point will end up going astray.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Tar is about a major artist with an outsize ego who ignores at her peril the seismic shifts in the culture.
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An author with a deep affinity for and knowledge of movies and how they’re honored tells us all about Oscar.
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