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This is a terrific start for a series that may live up to the promise of The Twilight Zone: it will take you “on a journey into a wondrous land whose boundaries are that of imagination.”
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In his virtuoso one-man show, Bill Irwin pays adroit homage to the language and vision of Samuel Beckett.
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Both of these films explore the theme of difficult males and resilient, caregiving females.
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Host Elizabeth Howard talks to Valena Beety, author of Manifesting Justice , and Tasha Mercedes Shelby, calling in on a telephone from the Central Mississippi Correctional Facility.
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The story has the earmarks of YA fiction: a community of dysfunctional adults contribute to the plight of alienated kids who, badgered by persecutors their own age, seek to escape their torment.
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Gil Rose’s team, headed by an incandescent Ellie Dehn as Catherine of Aragon, should help bring this major work back to the world’s opera-house stages.
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“As the old saying goes,” writes author and former prosecutor Valena Beety, “when you’re accustomed to privilege, equality feels like oppression.”
Read MoreVisual Arts Review: A Mom’s Gaze — Anna Grevenitis and the Arnold Newman Prize at the Griffin Museum
Each project in the exhibition presents unique perspectives on seeing and being seen, fitting for the Newman Prize’s goal of providing a platform for innovative photographic portraiture.
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It is pretty clear that this Canadian band was not in the right place at the right time, despite the ferocious energy and speed of its music and sublime performances.
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Channeling equal parts Lucinda Williams and Levon Helm, the album features Robin Lane’s rich, earthy voice supported by sparse instrumentation.
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