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Book Review: Irish Author Claire Keegan Hits Her Stride

November 4, 2022
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In Claire Keegan’s fiction, each sentence matters and each, sometimes very ordinary, action has real consequences.

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Doc Talk: Five New Nonfiction Films Worth a Look

November 4, 2022
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From Mobile to Mars, from the mind of Robin Williams to the rise and fall of a Pez entrepreneur, and with a side trip to Newton South High.

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Book Review: “Leon Kirchner and His Verdant World” — Addictively Readable

November 4, 2022
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Again and again, one encounters vivid glimpses of a man whose passion for music and music-making was immense, and who was gifted at conveying that passion to colleagues and students.

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Book Review: “Folk Music — A Bob Dylan Biography in Seven Songs”

November 3, 2022
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At points Greil Marcus’ digressive style can seem like nervy brilliance, at others, idle whimsy. What ennobles the book is the critic’s love for his underlying subject: the soulful search for a truer America.

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November Short Fuses — Materia Critica

November 3, 2022
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

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Book Review: Bob Dylan’s “Philosophy of Modern Song”

November 3, 2022
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The point of Bob Dylan’s project is emotional rather than definitive: to probe the power of song to influence us, make us feel, and ultimately transform us.

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Classical Album Review: Czech-Born Composer Erwin Schulhoff — “Shapeshifter”

November 3, 2022
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This is a strongly-played effort that makes a powerful case for the vitality and worth of Erwin Schulhoff’s oeuvre, particularly his mature chamber music.

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Classical Music Album: “African American Voices”

November 2, 2022
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Overall, this is a strong program done in by unsatisfying recorded sound.

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Book Review: “Kick the Latch” — Off to the Races

November 1, 2022
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Kick the Latch (the title refers to what is done to open the starting gate in a horse race), through its plain and spare authenticity, is a powerful and impressive success.

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Film Review: “Please Baby Please” — Gay Awakening

November 1, 2022
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Amanda Kramer’s created a thoroughly campy and celebratory ode to queerness that stands as both a timely political statement and a genuinely well-crafted piece of independent filmmaking.

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