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In its ninth album, YMCK shows that it is becoming self-aware. They are no longer just avatars we are to identify with, but also (satirically) the corporate entity behind them, a corporation preoccupied, like all others, with innovation.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Our critics salute three memorable films — anti-fascist (Cabaret), anti-capitalist (The Ruling Class), and anti-war (Slaughterhouse-Five) — that turned fifty this year. Perfect viewing for the holidays.
This is a grim and uncomfortable book to read because it forces us to contemplate each small poem separately and then take them all together, a hard but necessary exercise.
The allure of Venice, as crafted by Venetian artisans, seduced American artists and collectors, who traveled across the world and brought back their prizes to American homes and eventually to museums.
Víkingur Ólafsson’s bold keyboard presence gave us a composer pressing against the conventions of his time while absorbing everything his ears took in.
With Bones and All, Luca Guadagnino solidifies his place as a filmmaking maverick able to bend genre conventions in ways that express his own painfully beautiful artistic vision.
Bold and colorful by turns, this disc offers an ideal introduction to Hans Rott, a composer who has slowly surfaced from the dark corners of history.
The music in these recordings only represent only a moment in pianist Ahmad Jamal’s long career, but it’s enough to demonstrate the singularity and importance of his work.
Jazz/Film Review: “An Evening of Jazz Healing” — A Thing of Beauty and Sharing
Jazz, in particular, seemed to not merely satisfy Justin Freed’s inner cravings for beauty, but it led him outwards, to others, eventually inspiring some of the key relationships in his life.
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