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Charlie’s Good Tonight does a fine job of illuminating Charlie Watts’ personality and paying homage to the drummer’s admirable legacy.
Read MoreAs the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreWhat Kyle Abraham has done is to conjure up a wonderfully confusing vision into the myriad possibilities raised by the cycle of death and life again.
Read MoreUnderlying all of these pieces is the sensibility of the émigrée, the person who has had to reinterpret everything in her life.
Read MoreThe artistic and design team at the Central Square Theater, in partnership with CHUANG Stage, have come up with an effective, thought-provoking 90-minute journey into a depressing aspect of the American story that was (and still is) rooted in xenophobia.
Read MoreThe second season of The White Lotus is decidedly darker than the first, and the air of decadence and luxury is overshadowed by a disturbing aura of danger, even evil.
Read MoreA funny, bittersweet novel by British writer Jonathan Coe portrays the great American film director Billy Wilder on the downside of his career
Read MoreThe Smile grew in stature at Roadrunner on Wednesday, the second date of its first U.S. tour. It didn’t take long for the band to flash shades of Radiohead-like intensity.
Read MoreNow, more than a year after Kabul fell, Afghanistan, where a conflict media-branded as “America’s longest war” waged for twenty years, barely makes the news.
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Arts Biz Commentary Update: Ticketmaster and Live Nation Entertainment Got Some Explainin’ to Do
How do you spell a monopoly that is killing the live music industry? Live Nation Entertainment, Inc.
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