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KEEP THE ARTS FUSE LIT! — Our Winter Appeal

December 5, 2022
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Please take this opportunity to sustain the future of the arts in this country by strengthening a magazine that is making a real difference.

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Concert Review: The Tedeschi Trucks Band at the Orpheum Theater — Beginning a New Phase

December 4, 2022
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This is a band as capable of being as spry and unpredictable in its 12th year as it was in its first.

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Coming Attractions: December 4 through 20 — What Will Light Your Fire

December 4, 2022
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Concert Preview/Interview: Suzanne Vega

December 4, 2022
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Suzanne Vega is many things: a singer/songwriter, musician, poet, author, entrepreneur, playwright, and actress. A number of her personas are converging right now.

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Jazz/Film Review: “An Evening of Jazz Healing” — A Thing of Beauty and Sharing

December 3, 2022
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Jazz, in particular, seemed to not merely satisfy Justin Freed’s inner cravings for beauty, but it led him outwards, to others, eventually inspiring some of the key relationships in his life.

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Chiptune Album Review: YMCK’s “Family Innovation” — 8bit Cynicism Toward Web 3.0

December 3, 2022
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In its ninth album, YMCK shows that it is becoming self-aware. They are no longer just avatars we are to identify with, but also (satirically) the corporate entity behind them, a corporation preoccupied, like all others, with innovation.

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December Short Fuses — Materia Critica

December 3, 2022
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

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Film Commentary: A Trio of Terrific Films Turn 50

December 2, 2022
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Our critics salute three memorable films — anti-fascist (Cabaret), anti-capitalist (The Ruling Class), and anti-war (Slaughterhouse-Five) — that turned fifty this year. Perfect viewing for the holidays.

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Poetry Review: “One Hundred Visions of War” — Haiku in No Man’s Land

December 1, 2022
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This is a grim and uncomfortable book to read because it forces us to contemplate each small poem separately and then take them all together, a hard but necessary exercise.

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Visual Arts Review: Venice Through American Eyes — At the Mystic Seaport Museum

December 1, 2022
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The allure of Venice, as crafted by Venetian artisans, seduced American artists and collectors, who traveled across the world and brought back their prizes to American homes and eventually to museums.

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