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Here’s this week’s poem, “Poem Faux Empyrean” by Daniel Bouchard.
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Aside from English pronunciation issues, the singers put over this remarkably polished and attractive opera by one of England’s great seventeenth-century composers with great panache, matching the superb instrumentalists.
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While you — as a parent, teacher, grandparent, aunt, or uncle, etc. — decide on your child-rearing approach, let’s help kids feel that they belong, that they are competent, and they have the courage and skills to succeed.
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“We take the audience on a journey that’s not part of a traditional approach to opera.”
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Even more impressive than the sheer amount of raw knowledge Bill Janovitz puts on display is the way he expertly elaborates on Leon Russell’s familiar resume highlights to create a full, three-dimensional portrait of a very complicated artist (and person).
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This exhibition provides a very thoughtful lesson in appreciating the poetry of practical objects.
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Inside‘s visceral demonstration of the alienating capacity of technology and the reduction of art to rich people’s toys may be a bit pat, but the film finds the space within these cliches to stage a compelling human drama.
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The 11-piece group frontloaded its 90-minute set for immediate impact, answering the biggest challenge — replacing the vocal charisma of David Byrne — with a communal approach.
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It is stunning to see these flags of beads and sequins on cloth, and the adjectives keep on coming — hypnotic, baroque, beguiling, hallucinatory.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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