Posts
Singer Marc Jordan has earned his voice the hard way, trekking through the music business for 50 years, and there’s a weathered honesty in his music now.
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An avant-garde iconoclast, Nam June Paik once said “It’s an artist’s job to think about the future.”
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This week’s poem: Jon Woodward’s “Spare An Origami Autobiographer.”
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So much of David Sakura’s narrative in Shared Spaces reminded me of the stories of other traumatized groups.
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In both performances tempos are fleet but not rushed. The big moments – from the hellish apex of the first movement’s development to the screaming climax of the Scherzo and the cathartic resolution of the finale – pack heavy punches.
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A marvelous first recording of a highly engaging opera by Baroque composer Bernardo Pasquini, known until recently for a single piece: “The Cuckoo.”
Nobody reading about Rebecca “Beka” Ntsanwisi, aka “Mama Beka,” can feel anything but good. This extraordinary South African woman has built a network of soccer teams made up of grandmothers throughout her country.
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Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Indie films of worth made by people with talent are falling into the cracks, and that’s sadly the fate of Out and About, a smart, beautifully shot and acted movie by Peter Callahan.
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Book Review: “Fearless Women” — A Vivid, Rounded Portrait of the Choices Facing America’s Women
Fearless Women is so well-written, so well researched, and so engaging that you will find it of real value even as it tells some stories you thought you already knew.
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